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Maya Kaisth and Clair Chin, 2014

Part 1:

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Part 2:

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Space: 10/8

Suspended Linings is the first piece I made that has acted as a starting point in my more current work and endeavors. I wanted to create a small scale installation that was evocative of clouds in the sky, yet I did not want to create an exact and duplicative sculpture. In order to push the unnatural aspect of this piece, I decided to add an unnatural light source.

Cloud1 Cloud2 Cloud3 Cloud4

This piece was successful in that it peaked my interest in unnatural iterations of natural objects. As a piece, it was too static and not expansive enough to create a wide scale evocation. It remains as a first step, and leads to my next project Artificial Linings, which is an ongoing piece created by my partner Clair Chin and myself, to be completed December 10th in the Ellis Gallery.

Suspended Linings

Fishing wire, polyester, LED lights

10/8/13

Maya Kaisth

Time: 9/17

I wanted to create an environment that was composed of everyday objects which we interact with without acknowledgment. The objects which surround us during the intimate and long periods of nighttime sleep, namely the particles of the bed, are largely unthought of.

sketch sketch

These objects, the pillows, sheets, and comforters that envelope us every night, hold some part of our physical bodies. In thinking of these ideas, the idea of a hanging structure began to interest me. I created a tent made out of bed sheets suspended by coat hangers and wire. I placed pillows and a comforter inside.

BedTent1 BedTent2 BedTentDetail

Bed Tent

coat hangers, wire, sheets, pillows, comforter

9/17/13

Maya Kaisth

ALCINA-master675

“Staged in an intimate, plain gallery space decorated with little more than a smudge of lipstick on one wall and a snarling boar’s head mounted on another, this “Alcina,” seen on Sunday, elegantly and entertainingly conjured a catalog of human emotions in its collision of confused, desperate lovers… The production’s two weeks of rehearsals were free and open to the public, and the performances were streamed live on the Internet as well as broadcast on a television in the gallery’s front window, a welcoming and welcome degree of openness for an art form that intimidates many.”

http://www.nytimes.com/2014/09/24/arts/music/alcina-from-r-b-schlather-at-the-whitebox-art-center.html

gutai

“February 15–May 8, 2013

Gutai: Splendid Playground presents the creative spectrum of Japan’s most influential avant-garde collective of the postwar era. Founded by the visionary artist Yoshihara Jirō in 1954, the Gutai group was legendary in its own time. Its young members explored new art forms combining performance, painting, and interactive environments, and realized an ‘international common ground’ of experimental art”

http://www.guggenheim.org/new-york/exhibitions/past/exhibit/4495

Media and Images:

http://www.nytimes.com/slideshow/2013/02/15/arts/design/20130215-GUTAI.html

CS36_0012_Dijkstra_OH_GCR“The monumental isolation of the figures is enhanced by low-angle shots, along with frontal poses and the austere, slightly abstract background bands of beach, water and sky, all of which echo the full-length portraits of Goya, Hals and Manet. This sense of form and formality contrasts markedly with the pictures’ contemporary casualness — the exposed flesh and intimations of fun and sun — even as it is confirmed by the prevailing seriousness and subtle anticipatory anxiety.”

http://www.nytimes.com/slideshow/2012/07/06/arts/design/20120706-DIJKSTRA.html

http://www.nytimes.com/2012/07/06/arts/design/rineke-dijkstra-at-the-guggenheim-museum.html?pagewanted=all&_r=0